Sexy crooner Robin Thicke along with the flawless beauty Janelle Monae cover the summer 2013 issue of VIBE Magazine. The Blurred Lines singer has the hit of the summer which crept up on me like a summer cold. I love his new album and it’s definitely worth all of the buzz that it’s receiving.
As VIBE celebrates its 20th anniversary, they’ll be releasing three unique covers for the magazine’s highly anticipated ‘Juice’ issue featuring Robin Thicke with Janelle Monáe, Nas with J.Cole and Daft Punk with Pharrell Williams.
In the accompanying article, the singers repesent the varying degrees of R&B music with Robin from the blue-eyed soul side of things and Janelle taking the reigns with a funkier-progressive edge. The two talked to the magazine about the new rules of music and how they both push boundaries. Here’s an excerpt:
VIBE: How do you define your music?
THICKE: I can tell she’s probably just like me—that as soon as somebody says, ‘Oh, you’re this.’ She goes, ‘Well, then let me show you what else I can do ’cause I’m not just one thing.’
MONÁE: It’s about having fun.
MONÁE: They tried everything.
THICKE: I hope that after I make my 10, 20 albums people just go, ‘That’s Robin Thicke music. And when they hear Janelle, they know that’s Janelle Monáe music.’ That’s what we both try to accomplish. Even “Blurred Lines,” which is my greatest success…
MONÁE: That’s the jam.
THICKE: Sounds a lot like my other music. I love all kinds of music, so I can’t possibly just make one kind. I’ll make a song called “Shakin’ It 4 Daddy” with Nicki Minaj, and then a song that sounds like Jimi Hendrix that’s all guitar and live music. Most of the music I’ve made is live band instrumentation, no drum machines.
MONÁE: Same with me. We just finished [recording with] the Chicago Symphony Orchestra and the San Francisco Symphony Orchestra, and then came back and rocked Coachella. I get very bored with the concept of marginalizing music and saying because I’m an African-American woman I [have to] stick to this genre. My iPod [has everything] from Judy Garland to James Brown to Prince to the Talking Heads. It just needs to be great and it needs to move me.
THICKE: In the history of American music, black radio and white radio were segregated. But once everybody had rights…
MONÁE: And could be on the cover of their album…
THICKE: And white people are on the cover of VIBE and black people on the cover of Rolling Stone, there are no more rules and that’s how it should be. We shouldn’t be judged by our color or one song that we made.
MONÁE: We should be judged by the jam. Is it jammin’?
THICKE: Music is exploding right now and always will, because it’s not about the sound. It will always come down to the artist. What are they doing? What are they saying and how are they saying it? MONÁE: And is it believable?